Robert Altman
<a href="http://www.nytimes.com/2006/11/21/movies/22altmancnd.html?hp&ex=1164171600&en=def5c91efcff42c3&ei=5094&partner=homepage">RIP</a>
Should probably fire up <i>Nashville</i>, <i>MASH</i>, and <i>Short Cuts</i> for a mini-Altman Turkey Day film festival...
Also, I have <i>A Prairie Home Companion</i> queued up in the Netflix land...
Im bummed. Altman was pretty rad, dooder.
For what it's worth, Altman and Keillor on Charlie Rose was fascinating. Now that I've seen the movie, I'm pretty sure they loathed each other.
Oh yeah. Too bad he's dead.
I'll need to go back and fill in some holes now. I've never seen Long Goodbye, for example.
Pret-a-Porter was the only Altman film I've seen that I didn't thoroughly enjoy.
For a fantastic, if somewhat depressing, possibly elegiac, double feature, might I recommend McCabe & Mrs. Miller/ The Long Goodbye?
RIP indeed.
I guess I was expecting a lot more from it. I really wanted to love it, but I didn't. I had no expectations for <i>Gosford Park</i>, which might be why I enjoyed it so much.
I think my main problem with <i>PHC</i> was the angel character... Kline didn't really work for me as Guy Noir, either. The death-life-one-door-closes-another-opens was a bit too overwhelming. The angel character sort of acted like a voice-over. I don't need the angel to remind me that this movie is about death.
The Dusty-Lefty joke bit was great. I always love the joke shows.
I absolutely cannot say "Prairie Home Companion"... when I try to, "Prairie Home Invasion" comes out.
<img src="http://images.amazon.com/images/P/B000000F9J.01.LZZZZZZZ.jpg" />
My copy of <i>Bo-Day-Shus</i> was stolen long ago. Does that mean I can legally steal tracks of the internets?
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The cinematography of <i>PHC</i> was wonderful. Dark but soft and warm. Like listening to radio.