Bowie Immersion #12: "Low" (1977)
<img src ="http://upload.wikimedia.org/wikipedia/en/thumb/9/93/Low_%28album%29.jpg/200px-Low_%28album%29.jpg">
Record is <a href ="http://www.sendspace.com/file/o8cx4r"> here. </a>
Released January 14th, 1977 on RCA Records
1977, UK Albums Chart #2
1977, US Billboard Albums #11
1977, "Sound and Vision" UK Singles Chart #3
1977, "Sound and Vision" Billboard Pop Singles #69
Now many of you will not believe this, but it all started when Bowie and Eno were trying to figure out what to do. One day Eno came running into the studio with a tape recorder and a recording of Donna Summer's "I Feel Love." Yes, you read this correctly. Eno played it for Bowie and exclaimed that "this is future of music."
"Low" contains synthesized sounds with disco rhythms and hints of punk (e.g., "Always Crashing In The Same Car" and "Speed Of Life").
"Breaking Glass" and "Be My Wife" are innovative tunes that have a pop-sound. While not classics (although Bowie is quite fond of the latter track), they are entertaining nonetheless. "Sound And Vision" was the only hit on this album.
Bowie and Eno play with a series of hi-tech sounds throughout. At first RCA was appauled with this album and pleaded with Bowie to do "another Young Americans." Bowie refused. If you listen carefully to this 1977 album, you'll agree that this very avant-guard record was cleverly composed. I personally am partial to "Warszawa," "Art Decade," and "Subterraneans".
This album, I feel, was one of Bowie's most ingenious efforts, but was not for everyone - it was a disaster in the U.S. and in Britain, Bowie never saw the light of day (on the charts that is) until "Let's Dance."
Anyway, this album remains one of Bowie's pride and joys. I actually have a 2003 live recording of this album from start to finish. Bowie performed it with great enthusiasm.
Summoning Pharohaoe Monch (Yeah! Now I've Said It!)
Haven't had a good chance to 'warm up' to this yet. I've been looking forward to this one (and the next 2) since the beginning.
FWIW: this was Pitchfork's best album of the 70s.
P.S. And I stand corrected.... "Ashes to Ashes" was a #1 hit.