Bowie Immersion #14 : Lodger (1979)
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Record is <a href ="http://www.sendspace.com/file/vurghn"> here. </a>
Released May 14, 1979 on RCA.
1979, UK Albums Chart #4
1979, Billboard Pop Albums #20
1979 "Boys Keep Swinging," UK Singles Chart #7
1979 "DJ," UK Singles Chart #29
<img src="http://www.southern.com/southern/band/SLINT/pics/19132L.jpg">
Guests used to get to play <i><b>THREE</b></i> tunes? crazy.
Third tune "Boys Keep Swinging" is one of Lodger's finest moments IMHO
Wikipedia sez that particular episode with Milton Berle was one of Lorne Michael's "blacklisted" episodes where he hated the host so much he saw to it that it never ran again in reruns. I could be mistaken, but I think the double host/musician Zappa appearnace was also on this list.
"D.J.," with its ever repeating "I am what I play" refrain makes it the album's most memorable tune. Many might argue however that this tune is quintessential disco. Personally, I don't feel there is much to it. It was probably meant to be the token hit single.
Bowie couldn't seem to find his grove on this record as it has many sounds. Except for a few cool songs like the rock sounding "Look Back In Anger," and my personal favorite "African Night Flight" most of the tunes are just plain dull.
Adrian Belew replaced Robert Fripp on this album (and will reappear in later years). He's no Fripp, but when Belew gets cranking on "Red Sails" you really can't tell them apart.
Lodger concludes the Berlin Eno/Bowie collaborations. Mr. Eno co-wrote practically every tune on this album. Tony Visconti thankfully also shows up in assorted roles - especially in production. It can be said that this album really wasn't part of the Berlin Trilogy due to the fact it was produced in Switzerland and New York - NOT Berlin. But the players were the same, so what the hell - make it a trilogy having no instrumental tunes and being much lighter and more pop-oriented.
Overall, call this one "underrated."
I love this album. Three treats in a row. Before these last three albums, either I was already familiar with the album, or else the album didn't do much for me. These last three have all been great, and they're mostly new territory for me. Thanks, Epoisses.
The experimentation on this album seems less challenging that the previous two... those two took a while to grow on me, but this one I liked immediately.
African Flight Night is amazing.
Eagerly awaiting Scary Monsters....
I think these songs resonate a bit more to me than "Heroes," as I feel a lot of this material has (call me a traditionalist) lyrics! Genrally moving imagery stuff on "Fantastic Voyage." "African Night Flight" is totally fucked. Love the flange on "Move On." "DJ" is a gem. "Boys Keep Swinging" is a goofball raveup (love the fact that the whole band swapped instruments on that one). Not sure why we're not psyched about this one.
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I Wonder how much he gets in royalties everytime a Carnival™ cruise ad comes on?